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电影中的杀手从来不缺乏市场。五官分明、千里独行、一脸冷漠、一身孤寂的杀手形象,不仅恰到好处地导致各个年龄阶段女性的母性情感泛滥,更是完整印证了每个男人的潜在心理:这个世界本来就无人懂得自己,男人最孤独。纵观所有杀手电影,几乎不见一个杀手俱备绝对的恶,他们的冷酷外表下往往藏着一颗最脆弱的心;他们的冷血枪口下,往往最易动情;他们的暴虐表情下,往往最温柔。他们通常以救世主、清道夫的形象出现,因此对抗的是最不可撼动的大恶。他们明明就是一种反英雄的代表,却总是像狗一样卑贱地死去。他们也许没有姓名、没有过去、没有归宿、没有情绪、没有善恶,他们是零件,个性消融在机器的冷漠中,灵魂永远被撕裂着,空着心的身体,完成着必须被完成的,承受着必须有人去承受的。杀人和被杀,都简化成一条指令,他们的生活,难道只剩接受与执行?让我们痛下杀手,剖开他们的胸膛,看个明白。
Killer movie never lack of market. The unique facial features, thousands of miles alone, a look of indifference, a lonely killer image, not only just lead to the motherhood of women of all ages flooding, but also a complete proof of the potential psychology of each man: the world has no one knows themselves, The lonely man Throughout all the killer movies, there is hardly any killer who is absolutely evil. Their cold appearance often contains one of the most vulnerable hearts; they are often the most vulnerable under the cold-blooded muzzle; their tyrannical expressions often The most gentle. They usually appear in the image of savior, scavenger, and therefore fight against the most shameful evil. They are clearly anti-hero representatives, but they always die like dogs. They may have no name, no past, no end, no emotions, no good and evil, they are parts, personality melting in the machine's apathy, the soul is always torn, empty body, to complete the must be completed, To have someone to bear Murdered and killed, are simplified into one instruction, their life, it is left to accept and implement? Let us pain killers, cut open their chest to see clearly.