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作为文学批评之一的戏曲批评,已有悠久的历史,但是长期以来都没有得到重视。从元代周德清的《中原音韵》,明代朱权的《太和正音谱》,徐谓的《南词叙录》,到清代王世贞的《艺苑卮言》,徐复祚的《三家村老委谈》,祁彪佳的《远山堂曲品》《剧品》,吕天成的《曲品》,李调元的《雨村曲话》《剧话》,焦循的《剧说》,梁廷楠的《曲话》等著作从点滴论及到长篇论述,都有戏曲批评的内容,但是,都过于简单,不成系统。而姚燮的《今乐考证》十二卷,将
Drama criticism, one of the literary criticisms, has a long history but has not been valued for a long time. From “Zhongyuan Phonology” by Zhou Deqing in the Yuan Dynasty, “Taihe Zhengyinpian” by Zhu Quan in the Ming Dynasty, “The Record of the Southern Song Dynasty” by Xu Ye to “Yi Yuan Gu Yan” by Wang Shizhen in the Qing Dynasty, “, Qi Biao Jia’s” Yuan Shan Tang Qu “” drama “, Lv Tiancheng’s” Qu “, Li Yuan’s” Yucun Qu “” drama “, Jiao Xun’s” play “, Liang Tingnan The works such as ”Qu Yuan“ have the content of drama criticism from the drip theory to the essay. However, they are too simple and not systematic. And Yao Xie’s ”Today Music Research" twelve volumes, will