文艺活动实际上是陌生化和熟悉化这两种维度交相辉映的过程。陌生化是让已经熟知的事物呈现出陌生的形态,从而给受众以新奇感;熟知化是让陌生的事物使我们尽快熟悉,从而给受众以认同感。本文以赵本山的小品《不差钱》为例,试图从陌生化与熟知化这两种维度上分析小品幽默言语的艺术性。 Literary and artistic activities are in fact unfamiliar and familiar with each other two dimensions of the process of each other. Unfamiliarization is to let the familiar things appear unfamiliar morphology, so as to give the audience a sense of novelty; familiarization is to let strange things make us familiar with as soon as possible to give the audience a sense of identity. Taking Zhao Benshan’s sketch “not bad money” as an example, this article attempts to analyze the artistry of the sketch’s humorous language from the two dimensions of defamiliarization and familiarization.