气韵历来是中国艺术创作、品评和审美的重要标准,无论是音乐、文学、绘画还是书法领域,长久以来都对气韵学说进行着孜孜不倦的探索与追求。从老子《道德经》“道生一,一生二,二生三,三生万物,万物负阴而抱阳,冲气以为和”始,气就被认为是世间万物的本体和生命的本源,成为中国哲学的基本概念之一。将之引申到书法上,书法之气即为阴阳之气,虚无而无功利,是生命存 Qi has always been an important standard of Chinese artistic creation, product criticism and aesthetic appreciation. It has long been engaged in the exploration and pursuit of the charm theory in music, literature, painting and calligraphy. From Laozi’s “moral classics”, “one life, two life and two life, three or three life things, all negative yin and yang, gas thought and ” Qi, gas is considered to be the origin of all things on the world and life , Has become one of the basic concepts of Chinese philosophy. Will be extended to the calligraphy, calligraphy that is the yin and yang of gas, nothing without utilitarian, is life