中国画在《辞海》当中有这么一段说明:“以钩皴点染、干湿浓淡、阴阳相背、虚实疏密和留白等表现呢手法,来描绘物象与经营构图;取景布局视野宽广,不拘泥于焦点透视。”花鸟画是中国画的一个分支,主要以花鸟鱼虫作为主要的表现主体。它的历史悠久,由长沙楚墓出土的《龙凤仕女图》可看出早在虞、夏、殷、周时代初现端倪。花鸟画虽相比其他支派色彩较为丰富,但是仍然以用墨为主,即使如宋代花鸟画小品,也多设色清淡。但是我们目前需要的是站在当下对未来的展望,用所学的思想、所见的眼界,以当代人的审美来坚守并发展花鸟画的“笔墨趣味”。 Chinese painting in the “Cihai” which has such a description: “to Huanzhuang point dyeing, wet and dry shade, the opposite sex, the actual situation of density and the performance of the blank and other means of doing things to describe the image and business composition; Adhere to the focus of perspective. ”“ Bird and flower painting is a branch of Chinese painting, mainly bird flowers and insects as the main performance of the main body. It has a long history, excavated from the Chu tomb in Changsha, ”Dragon and Phoenix Ladies“ can be seen as early as Yu, Xia, Yin and Zhou dynasties are beginning to take shape. Although the flowers and birds are richer in color than the other tribes, they are still predominantly ink-based. However, what we need now is to look forward to the future from the perspective of what we have learned. We should stick to and develop the ”brushwork and taste" of flower and bird paintings from the perspectives we have learned and from the horizons we see.