论文部分内容阅读
在绘画鉴定上,中日鉴定家存在着差别:中国鉴定家重视作品本身,日本鉴定家重视作品附属的落款印,有时甚至到了只管落款印正确与否而不管绘画水平高低的程度。这次,我受日本国际交流基金的资助,作为东京大学客座研究员游学东洋,浏览于博物馆和画廊,探讨于鉴定家和收藏家,更深切地感到这一点。我一向认为:落款印鉴定只能是绘画鉴定的辅助手段,不
There are differences between Chinese and Japanese appraisers in the field of appraisal of paintings: Chinese appraisers pay attention to the work itself, Japanese appraisers attach importance to the inscriptions attached to the works, and sometimes even to the extent that the inscriptions are correct or not, regardless of the level of painting. This time, I was supported by the Japan Foundation for International Exchanges. As a visiting fellow at the University of Tokyo, I traveled abroad to visit museums and galleries and discussed with connoisseurs and collectors. I feel this deeper. I have always thought that: Imprint identification can only be an aid to painting identification, no