匈牙利学者阿诺德·豪泽尔在《艺术社会学》中称“艺术本身……是一种燃料”。它使人的感情(道义、信息……)燃烧起来。 要“燃烧”起观众,首先要“燃烧”起剧中人物。 淮剧电视艺术片《太阳花》塑造了一个颇有特色的人物——方大姑。她既恪守封建传统伦理道德规范,又具有治家严厉正直重义的品格。在民族矛盾尖锐,家与国面临危险的紧急情况中,她为了拯救乡亲毅然亲手杀 The Hungarian scholar Arnold Hauser called “art itself ... a fuel” in “Sociology of Art”. It burns people’s feelings (morality, information ...). To “burn” the audience, we must first “burn” the characters in the play. Huai opera television art film “Sun Flower” shaped a rather character - Fang Fanggu. She not only abide by the traditional feudal ethics, but also has the character of strict and honest governance. In sharp ethnic conflicts, home and country are in danger of emergency, she resolutely killed to save the folks