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程瑶笙动物画,在民国初年海上画坛堪称独步。其猴画与其他摹北宋易元吉的画家迥异,虽亦精摹细斫,但无装饰刻板之嫌,而是工写结合,形神兼备。盖因其既精于博物学,又兼通西画理念而注重写生之故。其作品用西洋状物写生之力,入形态逼肖之境;运国画工写结合之法,得由形及神之妙。影响所及,有沪上柳渔笙、王韵
Cheng Yao-sheng animal painting, painting the sea in the early Republic of China 堪称 unparalleled. The monkey painting and other painters of the Northern Song Yi Yuanji very different, although also fine Jing Xi, but no sense of stereotypes, but the combination of work and writing, shape and spirit both. Cover because of its expertise in natural history, but also the concept of painting and pay attention to the sketch of the story. His works use the power of sketches of Western countries to enter into a state of depressive form. Affected by the Shanghai Liu Yu Sheng, Wang Yun