论文部分内容阅读
作为类型剧的战争剧虽然在电视荧屏上呈现“井喷”之势,但也遭遇到创作模式和审美类型的创作瓶颈。本文认为,《异镇》作品对战乱背景下的一个中国民间社会生态样本进行了诗意化的抒写,对战争剧的英雄奇观内涵和意蕴赋予了世俗化的解读,对人性嬗变的复杂性进行了多维度的辩证阐述,从创作题材、人性深度、思想意蕴等方面丰富和拓展了战争剧的审美类型和境界。由此传达出对中国传统文化的深切眷念、对战争生态的批判和否定的创作态度。
Although the war drama as a type drama shows “blowout” on the TV screen, it also encounters the creative bottleneck of creative mode and aesthetic type. This article argues that the works of different towns give a poetic description of the ecological sample of a Chinese civil society in the context of the war and give the interpretation of secularization to the connotation and meaning of the heroic spectacle of the war drama and the complexity of the transmutation of human nature The multi-dimensional dialectical exposition enriches and expands the aesthetic types and realm of war drama from such aspects as the theme of creation, the depth of humanity and the ideological implication. From this, they conveyed their deep concern for the traditional Chinese culture, their criticism of the war ecology, and their negative attitude toward creation.