美国黑人女作家托尼·莫里森的后现代小说《宠儿》向我们诉说了一起奴隶制压迫之下的沉痛悲剧。本文试图从亚里士多德,黑格尔的主要悲剧观点出发,探讨《宠儿》中的悲剧性。悲剧性是任何艺术形式都可以具有的一种审美特质,并非戏剧意义上的悲剧特有。在美国黑人女作家托尼·莫里森的小说《宠儿》中,我们可以很明显的发现这种悲剧性。同时,与所表现出的命运不可抗而导致的悲剧不同,《宠儿》更是一部由于人类罪恶而发生 The postmodern novel Beloved by the African American woman writer Toni Morrison tells us the painful tragedy under slavery pressure. This article attempts to explore the tragedy of Beloved from the point of view of the main tragedies of Aristotle and Hegel. Tragedy is an aesthetic trait that any art form can have and is not peculiar to tragedy in the sense of drama. In the novel “Beloved” of African-American writer Tony Morrison, we can clearly find this tragedy. At the same time, contrary to the tragedy caused by the irresistible fate it shows, Beloved is even more a result of human evil