古今中外,关于“流浪”这一主题的作品不可胜数,其中流浪主人公通常给读者留下的是追求自由、洒脱、不拘约束的形象。本文试图从三毛与勒克莱齐奥作品中的流浪主题来挖掘其中的乡愁情结,进而比较中西文化对流浪这一主题表现方式的区别以及乡愁情结的性别差异。通过小说中所表现对自然的怜悯和对人性的关怀,来分析作品中的乡愁具体表现即乡土情结和文化乡愁,进而解读两人流浪出发点、流浪主题的表现手法的不同及其产生不同的根源。 At all times and in all countries, there are countless works on the theme of “wandering”, in which the wandering protagonists often leave the readers with the image of pursuing freedom, freedom, and freedom. This paper attempts to explore the nostalgia complex among the wandering themes in the works by San Mao and Leclazio and then to compare the differences between the two themes in terms of the differences between the two languages ​​and the gender differences in nostalgia. Through the compassion of nature and concern for human nature, the author analyzes the concrete manifestation of nostalgia in his works, namely native sentiment and nostalgia of culture, and then interprets the starting point of their wandering, the different ways of expression of wandering theme and their different origins .