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景德镇瓷雕加彩,是“景瓷”优秀传统的装饰技法之一,富有民族风格,它是景瓷彩绘百花苑中的一朵争奇斗艳的瑰丽之花! 远在隋代,景德镇就出现塑品,到元明期间,塑品上有了加彩粗糙之纹饰。至清代,由于粉彩的产生与发展,很多中低级粉彩工也从事少量的彩饰(俗称“加彩”)。当时艺人们为追求工艺之技巧,雕塑彩绘的艺术风格也打上了时代的烙印,如:康熙的五彩、雍正粉彩的彩饰风格,瓷雕多以素身、满地彩饰方法进行加彩,除面部少彩或手足肉身不彩外,一般多以缠枝花卉,豆芽樱子,云头饰满,又以色地、沙地珍珠地夹彩,不惜工本,由简到繁,以“满”为好的画风,风靡一时,有些一直保持至今。景德镇瓷雕塑品,它的加彩装饰艺术的主要特点,乃是“神”、“饰”兼备,由于雕塑品的品种繁多,所以在装饰上出现多种多样表现形式,一般常用的装饰法既有华丽、富实、艳而不俗的珊红描金;
Jingdezhen porcelain carving plus color, is the “King porcelain” excellent traditional decoration techniques, rich ethnic style, it is King of Ceramics painted flowers in a magnificent flower! In the Sui Dynasty, Jingdezhen appeared plastic Products, to the Yuan and Ming Dynasties, plastic products have a rough color of the decoration. To the Qing Dynasty, due to the emergence and development of pastel, many middle and lower pastel workers also engaged in a small amount of decoration (commonly known as “plus color”). At that time, the artistes sought after techniques for craftsmanship, and the artistic style of the painted sculptures was branded with the times. For example, the multicolored colors of Kangxi and the pastel colors of Yongzheng, Face less color or hand, foot and frivolous, usually more than flowers, bean sprouts, cloud head covered, but also to color, sand pearl clip color, spared no expense, from simple to complex, with “full” Good style, all the rage, some have been maintained so far. Jingdezhen porcelain sculpture, the main features of its color decoration art, but “God”, “decoration” both, due to the wide variety of sculptures, so there are a variety of decorative forms of expression, the commonly used decorative method both A gorgeous, rich real, Yan and decent Shan red gold;