21世纪的文学和社会生活依旧关系紧密,都市、乡村、时尚、底层、情爱、家庭、官场、商场……大历史中的小时代,大时代中的小历史这些关键词,我们耳熟能详,然而没有一种东西可以给我们确定性。新世纪文学较之此前十年的下落倾向,有了明显的转型,向上走的趋势我们都看到了,但是它依然面对巨大的困境,渴望突围和提升,又不自觉地沉湎与迷惘。相对于十七年的宏大叙事、20世纪80年代的启蒙话语、20世纪90年代的世俗化表达,新世纪文学现在还很难简单命名,作家们面对时代的变形,或者选择了更为变形的方式,或者原画复现,都隐含着难以摆脱的话语焦虑。尽管越来越多的研究者和批评者从文学性出发,试图寻找到新世纪文学笔直的审美脚印,但是,这种念头注定是要落空的。这不仅 Literature and social life in the 21st century are still closely related to urban, rural, fashion, the bottom, love, family, officialdom, shopping malls ... We are familiar with the key words of the great history and the small history of the great era, but we have no A thing can give us certainty. In the new century, the trend of overthrowing of the literature in the past ten years has been obviously transformed and the trend of upward going has been seen. However, it still faces great difficulties and desires to break through and ascend without unconsciously sinking and perplexity. Compared with the grand narrative of seventeen years, the enlightenment discourse of the 1980s and the secular expression of the 1990s, the literature of the new century is still hard to be named simply. The writers are confronted with the deformation of the times or the more deformed Way, or the reappearance of the original painting, all implies hard to get rid of the discourse anxiety. Although more and more researchers and critics attempt to find straight aesthetic footprints in the new century from a literary point of view, this idea is doomed to fail. This is not only