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伦理学、美学与文学的融合使得德国作家海因里希·伯尔的人道主义美学思想具有多维的扩张性。伦理学中的人道主义思想和美学本源的感性感知因素都为他的文学创作印上伯尔式的独特烙印。作为文学宣言,伯尔在《法兰克福讲座》中系统且开放性地阐释了他对人道主义美学的认知。与其前、中期废墟文学创作的写实特点相比,其后期的作品呈现出在现实中虚构乌托邦的特点。尤其是伯尔的后期作品《女士及众生相》是其创作的集大成之品。该作品不仅镜像式地反射伯尔的文学理论思想,还明确地将女性乌托邦演绎为其社会批判的出口。
The combination of ethics, aesthetics and literature made the German author Heinrich Burh’s humanitarian aesthetics a multi-dimensional expansion. His humanitarian thoughts in ethics and the perceptual factors of aesthetics have all imprinted the Burr-style unique imprint on his literary creation. As a literary declaration, Burr systematically and openly explained his understanding of humanitarian aesthetics in the “Frankfurt Lecture.” Compared with the realistic characteristics of literary creation of the former and middle ruins, the later works show the characteristics of the fictional utopia in reality. In particular, Burr’s later work, “Lady and Beings,” is a masterpiece of his creation. The work not only mirrors Burr’s literary theory in a mirror image, but also explicitly interprets the female utopia as an outlet for his social critique.