我的电影通常都很有颠覆性,尽管观众可能还没发觉。对我而言,《超人:钢铁之躯》最具颠覆性的地方,就是没有颠覆性。扎克·施耐德的成功总是与漫画有着千丝万缕的联系。他的成名作《斯巴达300》,就改编自弗兰克·米勒的同名漫画。这是一部用蓝屏抠像技术堆砌的暴力美学大餐,视听的震撼力被放大到了极致。电影只有一个场景是在户外拍摄,耗时一天,其他镜头都是在蓝屏或者绿幕前完成。实拍只用了两个月,而 My movies are often very disruptive, although the audience may not have noticed. For me, the most disruptive aspect of Superman: The Iron Man is that there is no disruptiveness. Zac Schneider’s success is always inextricably linked with the comics. His famous work “Sparta 300”, adapted from the same name as Frank Miller comics. This is a violent aesthetics feast piled with blue screen keying technology, audio-visual shock was amplified to the extreme. Only one scene in the movie is shot outdoors, one day, the other shots are completed in front of the blue screen or green screen. Real shot only took two months, and