看完《没有航标的河流》的影片,我发现李纬同志扮演的盘老五形象很真实,没有一点儿粉墨气味,完全是演员自己的“本皮本色”。电影的摄影镜头和现代优质胶片,具有纤毫毕露的表现能力,使电影具有呈现直观真实的、自然的艺术特性。然而,在一些影片里,却往往违反这一特性,产生了令人生厌的虚假现象。造成电影虚假的因素很多,其中也包括一些影片的拙劣化妆技巧使人物造型不真实。人们愈来愈明白,电影艺术的各种手法、技巧和技术,如果不依照电影艺术的特性而过份地去“美化”(如豪华的布景,矫饰的化妆)就会弄巧成拙,会失去电影艺术的魅力。因为,不真实的形象,是不惹人爱的。李纬同志在《投有航标的河流》中扮演的角色盘老五,是一个在几百里河道上放排、漂荡一生的光棍 After reading the movie entitled “No navigation beacons rivers”, I found out that the image of Comrade Li Wei played a very real image, with no smelling aura, and was entirely the actor’s own “natural color.” The film’s photographic lens and modern high-quality film, with the slightest performance ability to make the film has an intuitive presentation of real, natural artistic characteristics. However, in some films, this feature is often violated, creating an annoying false phenomenon. Many factors contribute to the film’s fake, including some of the film’s poor make-up techniques to character modeling is not true. It is increasingly understood that the various techniques, techniques, and techniques of cinematic art that would otherwise be “glorified” (such as luxurious sets, make-up) without exaggerating the art of cinema would be self-defeating and would lose cinematic art Charm. Because, unreal image, is not lovable. Comrade Li Wei plays a role in “the river that casts the beacon” Pan Lao Wu is a bachelor who has been draining and wandering his life on the rivers of hundreds of li