一 引论 内蒙古阴山山脉有分布面很广的古代岩画,乌海市桌子山的岩画群即是阴山岩画的一个分布区域。内蒙古阴山岩画不仅题材多样,而且绵延的历史跨度也很大。桌子山岩画,大致可以肯定是新石器时代的文化遗址(参照乌海市印制的《桌子山岩画》的介绍文字)。 就桌子山岩画的文化形态看,它是多层面的。如果用符号学理论来观照和分类,大致可分为三种类型,即具象符号、抽象符号和中性符号。严格地界分,只有具象和抽象两种符号。中性符号既有具象又有抽象的因素,介乎两者之间。如果深入地考察一下,就会发现,这些符号的下面牢固地凝结着早期人类强 I. INTRODUCTION The Inner Mongolia Yinshan Mountain has a wide range of ancient rock paintings. The group of rock paintings at Table Mountain in Wuhai City is a distribution area of ​​the Yinshan rock paintings. Inner Mongolia Yinshan Petroglyphs are not only varied in material but also have a long history. The table rock paintings are almost certainly the Neolithic cultural sites (refer to the introduction of “Table Mountain Rock Paintings” printed by Wuhai City). It is multi-faceted from the cultural morphology of the table rock paintings. If you use semiotic theory to view and classification, can be roughly divided into three types, namely, the symbol of the abstract symbols and neutral symbols. Strictly demarcation, only two kinds of symbols and abstract. Neutral symbols both abstract and abstract factors, ranging from the two. If you look deeply, you will find that these symbols firmly solidify the early human strong