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王阳明在钻研儒家道德人文主义哲学的同时,又与中国戏曲结下不解之缘。他生前不仅就戏曲的教化等问题提出自己的主张,还对《西厢记》、目连戏、傀儡戏等剧目、剧种进行评论,产生了一定的影响。死后,他又进入戏曲,成为剧中的重要角色,南戏《王阳明平逆记》、传奇《阳明洞》《神剑记》等均以他为主角,演衍其一生的业绩。本文即专就他与中国戏曲这种生前死后的不解之缘试作考证,以填补王阳明研究在这方面的欠缺。
While studying the philosophy of Confucian moral humanism, Wang Yangming also formed an indissoluble bond with Chinese opera. During his lifetime, he not only put forward his own opinion on issues such as enlightenment of drama, but also made some comments on the plays and operas such as The Romance of the West, the Mulan opera and the puppet shows, which had a certain impact. After his death, he entered the opera again and became an important player in the play. The performance of his life was recorded in the Southern drama “Wang Yang Ming Ping Bi Ji” and the legend “Yang Ming-dong” and “Excalibur”. This article specifically on his drama with the Chinese drama after the death of his life for the sake of textual research to fill in Wang Yangming’s lack of research in this area.