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在卡迪亚为欧洲贵族与王室订做到众多珠宝中,都流露着一种与东方相关的气息。虽然有策展人的刻意挑选,不过,无论是当时的欧洲贵族与王室,还是顶尖的学者与珠宝匠人,在工业革命完全成型而摧毁王室文明之前,那种东方的神秘美学,从来没有在艺术的领域失去重量。即使是在1840之后的欧洲,船坚炮利让他们得以进入那个古老的东方帝国,然而,东方文明与东方执政帝国,依然是两个万千不同的属性,东方的帝国是在衰落的,而东方的文明,是不灭的。作为皇帝的珠宝商,以及珠宝商中的皇帝,东方元素,这一
In Kadia, European nobility and the royal family tailored to numerous jewels, all reveal a kind of oriental-related atmosphere. Although curated by curators, neither the aristocrats nor the royal families nor the top academics and jewelers of the time sought to destroy the royal civilizations until the industrial revolution completely shaped the mysterious aesthetics of the East. The field loses weight. Even in Europe after 1840, the ship’s fortifications allowed them access to the ancient Eastern Empire. However, the Eastern Civilizations and the Eastern Governing Empires remained two different properties, and the Eastern Empire was declining Eastern civilization is immortal. As the emperor’s jeweler, as well as the jeweler in the emperor, the oriental element, this one