无论哪一个当代作家,谈论怎样喜欢几个外国作家及其作品,应该是轻而易举的,要是谈论外国文学对自己的影响,恐怕就幽深隐微、复杂难述了。在社会空间闭塞和文化体制专横的时候,外国文学的新异性和渗透力并不专门针对某些人群,而是针对某些时代、整个国度,极易造成众口铄金的一致定论,一说起苏联文学就定位于现实主义的高尔基和未来主义的马雅可夫斯基,对反其道的阿赫玛托娃、帕斯捷尔纳克等异见者,持聊备一格的态 No matter what a contemporary writer and talk about how to like a few foreign writers and their works, it should be easy. If we talk about the impact of foreign literature on ourselves, I am afraid that it will be subtle and complicated. When the social space is closed and the cultural system is dictatorial, the newness and penetration of foreign literature are not specific to certain groups of people. Instead, they are aimed at the unanimous conclusion that certain age and country as a whole are likely to cause huge amounts of money. From the Soviet literature, Gorky and futurist Mayakovsky, who are based on realism, hold symposiums on dissidents such as Akhmatova and Pasternak.