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吴村电影作品之二元文化特征—思想倾向上与左翼电影接近;艺术观念上与“软性电影”论者契合;吴村与“软性电影”论者合作之隐衷;吴村惨死及悲剧之反省。“软性电影”与“硬性电影”论争双方主要观点缕述,这场论争的电影文化背景。左翼电影再认识。
The Dualistic Cultural Features of Wu Cun’s Film Works: Approaching to Left-wing Movies in Ideological Tendency; Conforming to “Soft-movie” Theory in Artistic Conception; Wu Village’s Collaboration with “Soft Cinema”; Wu Village tragic death and reflection of the tragedy. “Soft Cinema ” and “Hardcore ” Debate between the two sides of the main points of view, the film culture background of this debate. Re-understanding of the left-wing film.