《安提戈涅》的文学魅力经久不衰,不仅在于索福克勒斯的天才创作,还在于其引发的对于悲剧主体的争议,对于法律和人情冲突的思考,以及男权欲望所招致的自我毁灭的震撼。克瑞翁因其性格缺陷而成为该戏剧的悲剧人物,他凭一邦之主的统治权,刚愎自用,妄想规训城邦,享有绝对男权,欲望无止境地膨胀;但是过度行为最终会被命运束缚手脚,导致自我毁灭。一、引言古希腊三大悲剧巨匠之一索福克勒斯因为《安提戈涅》的舞台成就被人们选为雅典十将军之一,作品所展现的矛盾冲突为历代学者所热议:是法理与 Antigone’s literary charm is enduring, not only in Sophocles’s genius, but also in the controversy over the subject of tragedy, in his reflections on the conflict between law and humanity, and on the patriarchal desire The shock of self-destruction. Because of his personality flaw, Creion became the tragedy of the drama. With the sovereignty of the Lord of one nation, he was just trying his own thing, delusional to discipline the city-state, enjoying absolute patriarchal power and desire to expand indefinitely; however, excessive acts would eventually be bound by fate Hands and feet, leading to self-destruction. I. INTRODUCTION Sophocles, one of the three great tragedy masters of ancient Greece, was chosen by people as one of the ten Athens generals because of the stage achievement of Antigone. The contradictions and conflicts presented by his works are hotly contested by scholars of all ages. Legal and