在绘画时空的具像坐标上,不断审视艺术创作动机的发生,一些平时不易觉察与感知的内容就会逐渐浮现,进而使艺术家获得更深一层的艺术感知与体验。无论是平面还是空间,无论是蒙太奇还是园艺还真,都是想建立这种回归的理想,这种理想不是前进的理想,而是“隐士”般回望的精神诉求。 In the figurine coordinates of time and space painting, we constantly examine the motivation of art creation, and some contents that are usually not easily perceived and perceived will emerge gradually, which will enable artists to gain deeper artistic perception and experience. Both the plane and the space, whether it is montage or gardening are true, all want to establish this ideal of return. This ideal is not an ideal of progress but a spiritual appeal of “hermit” look back.