明人笔记中的成化官窑价值连城,而在清代《宫中进单》中臣工上贡物品冠以“成窑”之名者,泰半非今日所识之成窑精品,审其特点,多为以釉上彩瓷为主的高品质瓷器。这点与明人笔记所强调的成窑形象相符。彩瓷系列的典范首推成化斗彩,在清初历经“调色盘革命”之后,新兴的珐琅彩和洋彩能以更大的色彩广度对成窑进行描摹,清代选择成化官窑为釉上彩瓷的主要模仿对象,使得在明末古董界本已地位非凡的成化官窑彩瓷地位又再度得到了提升。同时贡单中所见花觚、花囊等花器也有不少比附于成化官窑之名者,此一现象反映了清代宫廷陈设对花器的需求。 In the Ming Dynasty, the Chenghua Kilns in the Ming Dynasty notes have been worthless. In the Qing Dynasty, Examined its characteristics, mostly glazed porcelain-based high-quality porcelain. This coincides with the kiln image emphasized by Ming notes. Choi Kwan series of models devaluation Chenghua Doucai, after the early Qing Dynasty “palette revolution ”, the emerging enamel and Yang Cai to a greater breadth of Cheng kiln to describe the Qing Dynasty choose Chenghua Guanyao glazed porcelain is the main object of imitation, making the Ming Dynasty antique world has become an extraordinary status of Chengguan kiln porcelain once again been promoted. In the meantime, there are also many flower arrangements such as scapes and cymbals found in the tribute list, which are more than the names attached to the Chengguan kilns. This phenomenon reflects the demand for flower arrangements by the court in the Qing Dynasty.