自王国维《宋元戏曲考》后,戏曲史学作为一门学科得以跻身现代学术之林,近百年来,相关研究更有如榛r方启、苑囿新开。另一方面,有关戏曲艺术本质的追问,也早己成为了一个“敞开性”的理论话题,吸引着几代学者的关注。程芸的《汤显祖与晚明戏曲的嬗变》旨在探讨晚明戏曲创作、曲 Since Wang Guowei’s “Song and Yuan Opera Tests”, opera historiography has become a modern academic institution as a discipline. In the past century, the related researches have been more like Zhen Fang and Kai Yuan. On the other hand, the questioning of the essence of opera art has long become a theoretical topic of “openness”, attracting the attention of several generations of scholars. Cheng Yun’s “Tang Xianzu and the Evolution of Late Ming Dynasty Opera” aims to discuss the creation of opera in the late Ming Dynasty