德沃夏克是19世纪捷克最伟大的作曲家之一,捷克民族乐派的主要代表人物。有人说斯美塔纳创造了捷克音乐,但是德沃夏克却是发扬光大的功臣。美国期间的作品奠定了他成熟的风格。德沃夏克的一生中作品无数,但在美国生活期间的作品最能代表他的作曲风格。在美国期间写出了如《“自新世界”交响曲(from the New World)》《“杜姆卡”三重奏》《“美国”弦乐四重奏》等,德沃夏克也是正确评价被美国人贬低了的黑人灵歌的第一位作曲家。《“美国”弦乐四重奏》是他在写完《“自新世界”交响曲(from the New World)》以后的作品。作品延续了《“自新世界”交响曲》的风格,美国黑人灵歌又一次被德沃夏克运用的淋漓尽致。乐章中既有抒情性的美国黑人曲风,也有黑人特有的节奏元素。四个乐章之间相互交错,前后呼应,内容丰富,达到了风格上的统一。晚年德沃夏克回到祖国,带回了这部著名的四重奏乐曲,献给了他深深爱着的祖国。 Dvorak is one of the greatest Czech composers in the 19th century, the main representative of the Czech national music school. Some people say that Smetana has created Czech music, but Dvorak is a hero. His work during the United States laid his mature style. Dvorak’s numerous works in his life, but most of his works in the United States represent his style of composition. During the United States, for example, he wrote “From the New World”, “Dumkar” “Trio”, “United States” “String Quartet” It is also the first composer to correctly evaluate the Negro spirituality that the Americans belittle. The United States String Quartet is his work after he wrote “From the New World” “the New World.” Works continued “” from the new world “symphony ” style, the American black spirit once again by Dvorak use most vividly. Both lyricism in the movement of American black genre, but also the unique rhythm of black elements. The four movements interlaced, echoed before and after, rich in content, reached the style of unity. In his later years, Dvorak returned to the motherland, bringing back the famous quartet music dedicated to his deeply loved motherland.