李士龙在北京人艺演出的《红白喜事》中扮演的五叔,很有点“绝活儿”,在全剧中,五叔的戏并不多,只占陪衬地位,但给人的印象却很深。当生产队长的五叔三十多岁,性格粗暴,如果演员不上心,很容易把五叔演成一般的莽汉。而李士龙却本着“要完整地、多面地、立体化地创造人物”的追求,终于在舞台上演出了一个有个性、有生活情趣的艺术典型。在人艺的演员中有一条有益的创作经验,那就是不直奔角色的思想、性格,有些地方需要“反”着演。譬如五叔这个人物,剧本交待他有重男轻女思想。急了就打老婆,如果从“反”面丰富人物,那就得点出他还有爱老婆、体贴老婆的一面。李士龙在仔细研究了剧本之后,还真找到了几个点。譬如第一幕中,五叔拿着鞋追打老婆,上场碰上了郑奶奶,奶奶发问道:“老五家的生了吗?”五叔连忙回答:“生咧!”李士龙用抱愧的语调,皮笑肉不笑地说出这两 Li Shulong in Beijing’s Rendezvous performance of “red and white wedding” played by the Uncle, a little “superb child”, in the play, Wu Shu’s play is not much, only a foil, but gives the impression is very deep. When the captain’s fifth-tert-thirties, rude character, if the actor is not focused, it is easy to Uncle funeral general boo. However, based on the pursuit of “creating characters completely, multifacetedly and stereoscopically,” Li Shilong finally performed on stage with a typical personality that has a taste of life. In the art of actors have a useful creative experience, that is not the role of straight-forward thinking, character, in some places need “anti” performance. For example, this character Wu Shitai, the script confessed that he has patriarchal ideology. Anxious to hit his wife, if rich from the “anti”, it is necessary to point out that he still has his wife, considerate wife side. Li Shilong after careful study of the script, really found a few points. For example, in the first act, Wu Shuang took the shoes to chase his wife and met Zheng Grandma. The grandmother asked, “Was the Wu family’s life?” Five Uncle quickly replied: “Health blanket!” Intonation, skin laugh not say these two laugh