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文章以杨诘苍的中国古典水墨画形式的绘画装置创作为切入点,分析其杂糅唐、宋、元文人画及寺庙壁画中浓墨重彩的工笔技法。文章认为杨诘苍的创作将“水墨”带入当代艺术,中国传统美学平和了杨诘苍创作观念,文章对此进行了探讨。
The article starts with Yang Kuang ’s painting installation of Chinese classical ink painting style, analyzes the meticulous techniques of combining Tang, Song and Yuan dynasty literati paintings and temple murals. The article holds that the creation of Yang Kuangcang brought “Ink and Wash” into contemporary art and the traditional Chinese aesthetics smoothed Yang Kuangcang’s concept of creation, which was discussed in the article.