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“文人画之要素:第一人品,第二学问,第三才情,第四思想;具此四者,乃能完善。盖艺术之为物,以人感人,以精神相应者也”。文人画之性质,是所含文人之趣味,不在画中之物,在于画里画外许多文人之感,在陶写性灵、个性与感想。境生象外,重气韵,重存在,重表现,重写意,借一切能用之笔墨抒写性情且直指人心,悠然起澹远幽微之思,而脱离一切凡尘俗事。对山与水的表现,对生态问题的关注,使李勇在“灰”系列的创作过程中,不断地深
“Elements of literati painting: the first character, the second learning, the third talent, the fourth thought; with these four, is perfect. Cover art of things, touching, spiritual counterparts . The nature of the literati painting is the taste of the literati contained in it. It is not the thing in the painting that lies in the sense of many literati painting outside the painting, in the Taoist spirit, personality and feelings. Except for the living environment, it emphasizes qi and rhyme, emphasizes existentialism, emphasizes expression and rewrites meaning. It uses all ink and ink that can be used to describe the temperament and points to the heart of the people. Concerning the performance of mountains and water and the ecological issues, Li Yong constantly deepens the creation of the series ”Gray"