纵观建筑环境设计发展史,无论是欧洲古典建筑或是东方建筑模式,可以看到,其室内设计在理性、功利性范畴的影像堆砌、繁杂、对称、均衡等现象。在以往特定的历史时期,作为室内设计的载体——建筑结构中的天、地、立面体被赋予繁琐的饰物,被赋予“庄重”、“严谨”、“金碧辉煌”的词语而成为一代典籍。然而,经过工业革命的洗礼,工业设计理念的进步给设计领域带来了广阔的空间。今天的信息时代鼓励创新设计,鼓励新材料、新工艺的开发与应用。改革开放以来,建筑装饰已从单一的审美模式向多元化方向发展。在室内设计领域中,设计不再是一种功利性的 Throughout the history of the development of architectural environment design, whether it is the European classical architecture or the oriental architecture, we can see that the interior design in the rational, utilitarian areas of image pile, complicated, symmetrical, balanced and so on. In the specific historical period of the past, as the carrier of interior design, the heaven, the earth and the elephant body in the architectural structure are given tedious ornaments, and are given “dignified”, “rigorous”, “magnificent” The word became a generation of books. However, after the baptism of the industrial revolution, the progress of industrial design has brought a lot of space to the design field. Today’s information age to encourage innovative design, encourage the development of new materials, new technology and application. Since the reform and opening up, architectural decoration has moved from a single aesthetic mode to a diversified direction. In the field of interior design, design is no longer utilitarian