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西方女性主义思潮的蓬勃发展为女性主义的研究与实践提供了可资借鉴的理论基础与批评范式。英国作家吉姆·克雷斯的第九部小说《传染病屋》以其蕴意深远的多维之美在女性主义的审美解读中焕发异彩。克雷斯聚焦女性与男性的个体与群体形象,创造了新世界中以玛格丽特与富兰克林为代表的新女性与男性形象。克雷斯通过描写逃亡三部曲,勾勒出新女性代表——玛格丽特,展现其蜕变的历程的三个重要阶段。玛格丽特从传统父权制下的“他者”身份过渡为渴望摆脱“他者”地位的具有反抗精神的勇士,到最终实现了具有独立精神、个体意识与男性气质的新女性形象。克雷斯同时展现了富兰克林的女性气质从压抑到爆发的过程,从而塑造了具有女性气质的男性,最终圆满地完成了新女性主义的书写。
The flourishing development of western feminism has provided a theoretical basis and a critical paradigm for the study and practice of feminism. With its far-reaching multidimensional beauty, The Epidemic Diseases House, the ninth novel written by British author Jim Cress, has splendor in feminist aesthetic interpretation. Kress focused on the individual and group image of women and men and created a new image of women and men represented by Margaret and Franklin in the New World. By describing the fugitive trilogy, Cress sketched out three important stages of her transformation, the new female representative, Margaret. Marguerite transforms from the “otherness” identity under the traditional patriarchy into an insurgent warrior who desires to get rid of the “otherness”, and finally achieves a new woman with independent spirit, individual consciousness and masculinity Image. Kress at the same time demonstrated Franklin’s femininity from depression to the outbreak of the process, thus shaping the feminine masculinity, and ultimately successfully completed the neo-feminist writing.