李渔戏曲独善一时,但是李渔戏曲所塑造的人物也具有着模式化倾向,从人物出场与介绍来说,他固定的让人物先唱出当前心声,再用韵语简介主要情况,随后才让人物进行详细的自我介绍;从人物观念来说,李渔人物都有固定而单一的婚姻标准,且把宿命论穿插其中。 Li Yu’s operatic songs are unique and unique, but the characters portrayed by Li Yu’s opera also have a tendency to be modeled. From appearances and introductions, he fixed the characters to sing the current voice and then use the rhyme to introduce the main situation before making the characters proceed A detailed self-introduction; from the concept of character, Li Yu figures have a fixed and a single standard of marriage, and put fatalism interspersed among them.