这肯定不是巧合。新中国第一部故事片是东影(“长影”前身)拍摄的《桥》(1949),工人阶级首次出台,成为银幕主角,当时被誉为“有划时代意义的作品”。1975年,冲破“四人帮”一伙的文化专制,又是长影勇敢地为王进喜代表的石油工人立传,推出《创业》,奏响了一曲中国工人阶级为社会主义艰苦创业的高昂赞歌,开了新时期文艺的先声。从《桥》到《创业》到长影近年的《解放》、《男儿要远行》,表现了应运而生的新中国工业故事片的时代自觉。据粗略统计,建国41年来,长影共拍摄工业题材故事片45部,著名剧作家于敏一人就创作了《桥》、《炉火正红》(1962)等五部作品。 This is certainly not a coincidence. The first feature film in New China was the “Bridge” (1949) taken by Dong Ying (predecessor of Chang Ying). The working class was first introduced to become the protagonist of the screen and was then hailed as “epoch-making work.” In 1975, breaking the cultural monarchy of the “Gang of Four,” Chang Chuan Ying also courageously disseminated the oil workers represented by Wang Jinxi and launched “Entrepreneurship,” playing a high praise of the Chinese working class for the hard work of socialism. Opened the first stage of literature and art in the new era. From “Bridge” to “Entrepreneurship” to “Liberation” of Chang Ying in recent years, “Men Going Far” demonstrated the era consciousness of the new Chinese industrial feature films that came into being. According to the rough statistics, in the 41 years since the founding of the People’s Republic of China, Chang Ying has taken a total of 45 industrial theme films and the famous playwright Yu Min has created five works such as “The Bridge” and “The Fire Is Red” (1962).