毛泽东的书法艺术所以能达到超逸入神,炉火纯青的境界,究其原因之一,是与他对前贤书法作品的借鉴、熏陶及转益多师分不开的。 50年代,毛泽东辞去国家主席一职后,练习书法的时间多了一点,开始广泛收集古代字帖,曾请秘书把能够找到的历代名人字帖、墨迹都买来,揣摩研究,认为这样既学了书法,又读了诗文,一举两得。据统计,毛泽东收藏的碑帖达千余种,足见收藏之富。其中他对东晋王羲之的字帖有着执着的喜爱,曾说:王羲之的书法,我喜欢他的行笔流畅,看了令人舒服,我对草书 Therefore, one of the reasons why Mao Zedong’s calligraphy art can achieve super-indulgence and blaze the blaze is one of the reasons why it is inseparable from his reference to the calligraphy work of the predecessors and its influence. In the 1950s, after Mao Zedong resigned as the president of the country, he spent a little more time practicing calligraphy and began to collect ancient copyposts. He asked the secretary to buy the copybooks and inks that he had been able to find and to try his best to find a way out of his study. , Read the poetry, serve two purposes. According to statistics, more than a thousand kinds of rubbings are collected by Mao Zedong, which shows that the collection is rich. One of his copycat in the Eastern Jin Dynasty Wang Xizhi has a persistent favorite, once said: Wang Xizhi’s calligraphy, I like his writing fluent, looked comfortable, I cursive