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昆剧的传统演剧环境主要有三种,一是大户人家的厅堂演出,二是古戏台演出,三是园林演剧。2007年以来,国内先后涌现了厅堂版、花雅堂版、古戏台版、南京版、园林实景版等《牡丹亭》。这些新创作强调物质文化遗产与非物质遗产的结合,还原古人优雅的生活方式,民营公司与机构开始成为创作主体,商业化运作成为其出发点,故而全剧多由经典折子戏的精华片段串连而成,让观众在有限的时间内了解故事内容。因而,这些新创作对传播昆剧艺术有一定的作用,对传承昆剧艺术起到的作用则非常有限。
There are basically three kinds of traditional theatrical performances of Kunju Opera. One is the performance of the auditorium in the big family, the other is the performance of the ancient stage, and the third is the garden drama. Since 2007, the country has emerged Hall of Edition, Hua Ya Tong version, the ancient stage version, Nanjing version, the real scenery version of the garden, “Peony Pavilion.” These new creations emphasize the combination of material and intangible heritage, restore the elegant lifestyles of the ancients, and private companies and institutions are beginning to become the main body of creation. Commercialization has become its starting point. Therefore, Into the audience to understand the story within a limited time. Therefore, these new creations have a certain effect on spreading the art of Kunju Opera, and have very limited effect on the art of passing on Kunqu Opera.