《尔雅注》的宋刻十行本,是该书传世诸版本中较好的一种,但此本板片曾经剜改,故先印本与后印本的文本有所不同。书成后在中国、日本两国又迭经覆刻、影钞,形成了较为复杂的版本系统。本文调查了上海图书馆、北京大学图书馆收藏的宋刻十行本《尔雅注》的各种衍生版本,通过比较刻工姓名、行款字体及文字内容,参证相关文献,对这一系统中各种版本的先后顺序及传承关系进行了梳理。关于顾千里覆刻《尔雅》时是否利用了宋刻十行本的问题,也根据顾氏本人的题跋提出了自己的看法。 “Er Ya Note” Song ten lines, is the book handed down all versions of the better one, but this board has been altered, so the first and later printed version of the text is different. After the book was completed in China, Japan and Japan and then overlay engraving, shadow printing, forming a more complex version of the system. This article investigates various derivative versions of “Er Ya Zhu”, a collection of ten lines of Song Dynasty inscriptions collected by Shanghai Library and Peking University Library. By comparing the engraved name, In the various versions of the order and inheritance relations were combed. On Gu Senli engraved “elegance” whether or not to use the Song ten lines of the problem, but also according to Gu’s own postscript made their own views.