电视剧成为承载日常生活的细节肥大症的小市民庸俗趣味的主要工具,隆重登上了艺术舞台的中央,但是,却不是为了显示繁荣,而是为了揭示匮乏。它们所造成的震动,说是对于“告别革命”的历史虚无主义的巨大反弹,并向一切严肃的社会史家揭示了:一个幽灵,中国革命的幽灵的“不在场”。 TV series became the main tool for vulgar fun of the commoners who carried the details of daily life and boarded the central stage of the art stage. However, it was not intended to show prosperity but to reveal the scarcity. The shock they caused was a tremendous rally against historical nihilism of “farewell to the revolution,” and revealed to all serious social historians: a ghost, the ghost of the Chinese revolution “absent.”