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回顾中外电影历史,电影艺术家为“电影的本性是什么?”作出了许多探索和讨论,这是一个似乎清楚,又将继续争论下去的美学问题。为了充分发挥电影艺术的表现潜力,把电影拍得更像电影,从二十年代法国“先锋派”电影、到后来的“新浪潮”电影,以及我国新时期的电影语言现代化的讨论,无不强调电影与文学、戏剧分离。如,“电影要与戏剧离婚”、“扔掉戏剧、文学的拐棍”、“创造纯电影的表现形式”、“淡化情节”、“影象美学”……等,说法不一,目的都是为了寻找电影艺术应有的自我,从选材、剧作结构,对白语言,镜头
Looking back at the history of Chinese and foreign films, the film artists have made many explorations and discussions for “what is the nature of the film?” This is an aesthetic problem that seems to be clear and will continue to be debated. In order to give full play to the expressive potential of cinematic art, the film is more like a movie, from the French avant-garde film in the 1920s to the later New Wave film and the movie language modernization in the new era of our country Discussion, all emphasizing the separation of film and literature, drama. For example, “film to divorce with the drama ”, “throw away drama, literary cane ”, “to create a pure movie performance ”, “desalination ”, “image aesthetic ” ... and so on, different opinions, the purpose is to find the film art should be self, from the material, the structure of the play, the language of the white, the lens