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多萝西·华兹华斯在文学史上长期处于边缘地位。多萝西对诗歌这种浪漫主义主流文学范式采取否定态度,创作出了和浪漫主义以人类中心主义为核心价值观的高扬人的主动性、主体性的男性诗歌迥然相异的女性诗歌。这类诗歌中体现的人对自然及自身的认识,人获得自由的途径等与中国传统的道家哲学观点有很多的契合之处。本文通过传统道家哲学的认识论、方法论的视角,以多萝西的一首自然诗“浮岛”为例,采用文本细读的方法解读文本中人在自然面前匿名化、小写化的趋势,人对于自然生生不息、绵延不止的时空的敬畏,以及人通过与无限、绝对的自然相融合而在消除一切差别的混沌圆满中获得自由的过程,从而探究多萝西自然诗歌的风格特点。
Dorothy Wordsworth has long been in a marginal position in the history of literature. Dorothy took a negative attitude towards the paradigm of mainstream romanticism such as poetry, and created feminine poetry with bold, subjective and subjective male poetry as the core value of romanticism and anthropocentrism. There are many similarities between traditional poetry and Taoist philosophical views embodied in such poems, such as the people’s understanding of nature and themselves and the ways of people’s freedom of access. Based on the epistemology and methodology of the traditional Taoist philosophy and taking a natural poem by Dorothy as an example, this paper interprets the tendency of the anonymity and the lowercase of human beings in front of nature in text , People are free from the endless chaos of natural life and endless time and space, and the freedom of chaos in eliminating all the differences through the integration with the infinite and absolute nature so as to explore the style and characteristics of Dorothy’s natural poetry .