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钱君匋先生评黄牧甫篆刻云:“在广州的后期,更成熟地表露出锋锐挺劲,光洁妍美,乍看似乎呆板,其实并不呆板,而含有无穷变化的特点。能在皖浙二派次第衰落时,以粤派异军突起于十九世纪之末。”李刚田先生认为:“黄士陵是上承明清流派,下开当代篆
Mr. Qian Junlian comment on Huang Mufu seal carving: ”In Guangzhou late, more mature to show Fengrui very strong, smooth Yan Mei, at first glance seems dull, in fact, is not rigid, and contains infinite changes in the characteristics. In Anhui and Zhejiang The second faction of the decline, the emergence of a sudden change in the Cantonese faction in the late nineteenth century. “” Mr. Li Gangtian think: "Huang Shiling is on the Ming and Qing genre, open the contemporary seal