对于敦煌曲子词的研究 ,前人论述甚繁 ,但这些研究更注重对《云谣集》之外的敦煌词进行理论上的分析论述。以词中女性形象的刻画为切入点来探讨《云谣集》与“散见各卷曲子词”的同中之异 ,不仅具有很强的可比性 ,能够清晰地阐释出它们独特的艺术风貌及审美追求 ,而且也可以根据这种差异来探讨《云谣集》与“散见各卷曲子词”在词史上的地位。 For the study of Dunhuang song words, the predecessors discussed a lot, but these researches pay more attention to the theoretical analysis and discussion of the Dunhuang words beyond the “cloud”. It is not only highly comparable that the similarities and differences between “Cloud Rhymes” and “Scattered Words” are discussed with the portrayal of the female images in the lyrics as a starting point, which can clearly explain their unique artistic features And aesthetic pursuit, but also can be based on this difference to explore “cloud rumors” and “scattered commonplace” in the history of the word position.