2007年之于香港,是意义重大的一年。在回归10周年的大环境下,今年的金像奖颁奖也或多或少带上了一点微妙的回归意味。曾经高举香港电影新浪潮大旗的“新浪潮之父”谭家明隆重回归,携《父子》一片斩获大奖无数。该片浓烈的忧伤、强烈的怀旧以及无懈可击的剪辑和镜头,振奋了香港电影低弥已久的惨淡。香港电影已死?未必。《门 It was a significant year in Hong Kong in 2007. In the context of the 10th anniversary of the reunification, this year's award-winning awards are more or less brought a little subtle return means. Tan Chia-ming, the “father of the new wave,” who once held high the banner of the new wave of Hong Kong films, returned with a grand prize in “Father and Son”. The film's intense sadness, intense nostalgia and impeccable editing and footage inspire the long-overdue gloom in Hong Kong films. Hong Kong movie is dead? Not necessarily. "door