傅抱石年轻时对传统中国画的学习,非但没有使他被传统的中国山水画所束缚,反而成为了他创新创造的坚实积淀。正是因为他对传统的深入研究和摹写,他对中国文人画的推崇,才有了他独有的“抱石皴”。然而一位画家其风格的形成与发展,不仅与他自身的主观意识有关系,还会受到外在环境变化的影响。 Fu Baoshi’s study of traditional Chinese painting in his youth, not only did not let him be bound by the traditional Chinese landscape painting, but instead became a solid accumulation of his creative creation. It is precisely because of his in-depth study of traditional and copywriting, his respected Chinese literati painting, only his unique “bouldering.” However, the formation and development of an artist’s style are not only related to his own subjective consciousness, but also influenced by changes in the external environment.