新世纪短篇小说中的“文革”书写,比之1970—1980年代的“伤痕”、“反思”小说,无论在叙事技艺还是思想深度方面,都有了极大的变化。其中的变化包括:重新回归短篇小说的文体自觉、身份转换背景下对革命浪漫主义的终结、在背离与超越的同时完善现代主义叙事手法,并且开始追诉“文革”中普通人应该承担的罪责。但新世纪作家思想力的提升,并没有跟上小说技艺日益精湛化的速度。主要表现是:当小说触及到“集体罪行中的个体责任”这一重量级问题时,还缺乏足够的思想穿透力。 Writing in the “Cultural Revolution” in the short stories of the new century has made tremendous changes in comparison with the “Scar” and “Reflection” novels of the 1970s and 1980s, both in terms of narrative skills and depth of thought. The changes include: the regression of stylistic self-awareness of short stories, the end of revolutionary romanticism in the context of identity transfer, the improvement of modernist narrative techniques while departing from and surpassing, and the prosecution of common people in “Cultural Revolution” Guilty. However, in the new century, the improvement of the intellectual power of writers did not keep pace with the increasing sophistication of novels. The main performance is that when the novel touches upon the heavyweight issue of “individual responsibility in collective crimes,” there is a lack of sufficient penetrating power.