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戏剧观众减少的总趋势,在相当程度上是为现代社会生活多样化,尤其是电视文化的出现所决定的。但戏剧上座率下跌之慘,确实有创作方面的问题存在。笔者前些年也是话剧的一名热心观众,上海舞台演出的剧目有不少都有幸观赏过,但每当大幕落下之后,常常有一种不满足的感觉萦绕心头,这种不满足,终于使我对观看话剧望而却步,再难提起浓厚的兴趣。根据这些观剧的实际感觉,我以为我国话剧创作中存在着值得注意的一些问题。需要声明的是,这里所举的剧本,都是近年来话剧创作中的佼佼者。唯其如此,指出其存在的问题,才更有典型意义。
The general trend of diminishing theater audiences is, to a large extent, determined by the diversification of modern social life, especially the emergence of television culture. However, the dramatic drop in the attendance rate of the drama does have creative problems. A few years ago, the author was also an enthusiastic audience for the drama. Many of the repertoire performances in the Shanghai stage have been fortunate to be enjoyed. However, whenever the curtain falls, there is often a feeling of dissatisfaction lingering in the heart. This dissatisfaction finally I was scared to watch the drama, hard to mention a strong interest. According to the actual feeling of these dramas, I think there are some problems worth noting in the creation of dramas in our country. What needs to be stated is that the scripts quoted here are among the best in drama creation in recent years. Only in this way, pointed out that the problem of its existence is more typical.