看中国的山水画,可以感观,可以心观,可以画观,但不可以以风景观。因为在中国山水画笔墨中,有人的投射,有人观照自然的种种心迹,所以中国山水画的背后人是主体,是人的深层次的命题。通常意义上所说的“山水画”起源于魏晋时期,山水画萌芽阶段,山水画往往是以人物活动的背景、配景的方式出现于画面中,经过中国山水画长期的的发展,“山水画”与人物之间出现了不同的定义和联系,人物在场的山水,通常在画面中安排有明确的主题,或者有可以辗 Look at China’s landscape painting, you can feel the view, you can mind, you can draw the view, but not with the landscape. Because of the projection of people in China’s landscape painting and calligraphy, some people observe the various mentality of nature. Therefore, the people behind the Chinese landscape painting are the subjects and are the deep-seated propositions of people. Generally speaking, “landscape painting” originated in the Wei and Jin Dynasties, the budding stage of landscape painting, landscape painting is often based on the background of human activities, with the way the scene appeared in the picture, after the long-term development of Chinese landscape painting, “landscape painting ”And the characters appeared in different definitions and contacts, the presence of landscapes, usually arranged in the picture has a clear theme, or you can roll