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比起五十年代就闻名于全国的郭风、柯蓝等老一辈散文诗人来,在八十年代才开始散文诗创作的罗文亮先生显然算新生代。不过,从他出版问世的三本个人散文诗集《布依情》、《布依人的婚恋》、《神州拾韵》的艺术特性来看,他和某些新生代诗人又有所不同:那些新生代诗人由于受到新时期文学的形式革命影响,一般都比较注重技巧的探索创新,而对于散文诗的内容则不甚重视,这就疏远了生活,疏远了多数的读者。当然,罗文亮先生也注意吸收一些现代表现手法为营养,但诗人主要还是从让自己的作品带有较强的可读性上去孜孜以求,这就得到了较多读者感情意识上的共鸣,受到普遍的好评。从这个角度来审视,罗文亮先生的
Compared to the older generation prose poets such as Guo Feng and Ke Lan who were famous throughout the country in the 1950s, Mr. Luo Wenliang, who started his prose writing in the 1980s, apparently considered the Cenozoic. However, he differs from some of the new generation poets in terms of the artistic features of his three personal collections of essays, “Buyi,” “Buyi,” and “Shenzhou Qiyun”: those of the Cenozoic Due to the formal revolution of literature in the new period, the poets generally pay more attention to the exploration and innovation of skills, while they pay less attention to the content of prose poems. This alienates the life and alienates most readers. Of course, Mr. Luo Wenliang also paid attention to absorb some modern expressions of nutrition, but the poet mainly from making his work with a strong readability assiduously, which get the sympathetic feelings of more readers, by the general The praise. From this perspective, Mr. Luo Wenliang’s