我没有坚持去寻找一个想象中的中国,而是把自己交付给了能看到的现实,我觉得是做对了。此外,把中国人而不是他们的建设和他们的风景作为影片的主角,是我到达中国后马上就作出的选择。——米开朗基罗·安东尼奥尼(Michelanglo Antonioni)那个时期唯一一部讲述中国的纪录片那个时期,中国电影几乎进入停滞瘫痪状态。资料显示:从1966年到1970年,整个电 Instead of persistently looking for an imaginary China, I delivered myself to what I could see, and I think it was right. Moreover, using the Chinese rather than their construction and their landscapes as the protagonists of the film is an option that I immediately made when I arrived in China. -At the time Michelangelo Antonioni was the only documentary about China, the Chinese film almost went paralyzed. Information shows: from 1966 to 1970, the entire electricity