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我在读研究生期间在导师康书增教授的指导下阅读了王伯敏的《中国绘画史》和《画坛梦寻》《谈中国画的现代化》其他一些理论文章,对中国绘画的发展有了一定的认识,捋顺了中国画发展的脉络,并进行了创作实践,对写意人物画有了一定认识,下文从文化-艺术-绘画-中国画的大的概念范畴下把握当代写意人物画。并从历史与文化的角度辩证地和较具体地分析写意人物画与文化之间的关系,通过从古致今对中国画的分析得出写意人物画创作的发展方向及趋势,并小结出自己对当代写意人物画创作方法的一些浅薄认识。
During my studies as a graduate student, I read Wang Bomin’s “History of Chinese Painting” and “Dreams of Painting” and “Other Articles on Modernization of Chinese Painting” under the guidance of my supervisor Professor Kang Shuzeng. I got some understanding of the development of Chinese painting. The development context of Chinese painting, and the practice of creation, have some understanding of the portrait painting, the following from the culture - art - painting - Chinese painting under the concept of large grasp contemporary portrait painting. From the angle of history and culture, this paper analyzes dialectically and more concretely the relationship between the freehand portraits and the culture. Through the analysis of Chinese painting from the ancient times to the present, it draws the direction and trend of the development of the portraits creation. Some Superficial Understandings on the Methods of Presenting Freehand Figure Painting.