20世纪80年代初,中国美术界兴起了关于“抽象美”的讨论,时下的“抽象”概念更接近装饰的意思。无疑,这股抽象之风也吹到了花鸟画坛。一时习气的侵袭,花鸟画盲目地求新、求怪。造型上脱离了传统艺术的内涵,这一时期呈现在写意花鸟画上的形虽是花样百出,纷陈繁杂,但 In the early 1980s, the discussion of “abstract beauty” started to emerge in Chinese art circles. The concept of “abstract” nowadays is closer to the meaning of decoration. Undoubtedly, this abstract wind also blown the flowers and birds painting altar. Impatience temporarily invasion, flowers and birds blindly seek new ideas, seeking strange. The shape of the traditional art from the connotation of the period presented in the freehand flower and bird painting on the shape though is full of tricks, complicated, but